
Artist's commentary
้ป้ใฎๆท
ใใใใ็งใ ใ
ไธๅใ้ป้ใฎ่ผใใ
่ช็ฑใจใใ่จ่ใจ็ธๅใใๆทใ
้ใ้ใฏ่ณ้ใใช้ณใงๅฒๅผใๅฐใใ
่ชฐใ่ฆใฆใๆๅ่
ใ ใจใใใใใใชใ
ใใฎไบบ้ใฏ้้ใใ็ฏใใๆ่
ใงใ
ใ ใใใใใใใชใฃใฆใใใฎใ ใจใ
่ฆใ่
ๅ
จใฆใซ็่งฃใใใใใใชโโโ
ๆฅ่พฑใฎ่จผใ
ใ ใใไปใ็งใใกใฏใใใ่ฆใฆใใใ
ๅคใใใใฎใใๅคใใใ
่ผใใฏใใ ใฎ่ผใใงใ
ๆทใ้ฎใ่ช็ฑใฏใชใใ
้ใฟใฏ็ ๆผ ใฎ็ ใฎไธใ
ใ ใใใใใไธๅบฆ่จใใใ
โโโใใใใ็งใ ใ
Golden Shackles
This is who I am.
The garish gleam of vulgar gold. Shackles, the antithesis of freedom. The heavy chains' irritating rattling invites scorn and mockery. It could not be clearer to all that the one who wears them is defeated. These marks of humiliation prove to all who behold them that their bearer is guilty of a grievous mistake, and so has been reduced to such a pitiful state.
But now, we are the beholders. We see these shackles unlocked, from without.
The gleam becomes ordinary. They no longer offer any impediment to one's freedom. They lie, abandoned, in the desert sands.
And so, I say again:
This is who I am.
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